Tag Archives: Design

Two For One

aotwI’ve had a great first week at school that I couldn’t pick a single artwork that would sum up the week. So… I’ve had to go for two.  They are similar in that they’re both investigation drawings for developing and considering shape and detail to make a fashion piece. They’ll most likely become a dress as the months roll on. They have been applied in a similar style; they’re very tight, neat drawings with immaculate tone and defined line.

The first; a pencil drawing by Kat C (S5) of surgical spinal screws. Notice the fine lines and white paper that is left to suggest highlights and reflection.

The second; a delicately detailed pencil drawing of a jellyfish by Paula N. She has worked the pencil lines to show folds and curves of the Jellyfish. Both drawings are observational drawings for Higher Design sheets.

Laura’s Creepy Crawley

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This week’s ‘AOTW’ comes from Laura H (S2/OLSP). She is working on an environmental building based on a house centipede. She is making a maquette of the centipede first and then developing some of the 3D elements into a factory building. This is part of a new engineering promotion initiative and her class is entered into a competition to try and win. If they all continue to be this good, I think we just might win it. Well done Laura!

The Claw

‘The Claw’ above has been expertly sculpted by Monica L (S4, OLSP). It has been created as a piece of development for her frilled lizard light that she is designing. ‘The Claw’ has been created by moulding and scrunching newspaper and fixing it and holding it with masking tape and glue sticks. I really like the elongated middle toe along with the skin texture Monica has created by wrapping the masking tape around the paper structure. Fabulous making skills.

Occupy

Lucy M (OLSP, S6) has just finished her Advanced Higher. For the design part of the unit she had created a perfume bottle, called ‘Occupy’, based around the urban environment. The bottle itself was conceived from crushed cans and spray paint cans, along with various street influenced art and surroundings.

The bottle itself was created by making a maquette out of crushed cans, bottles, lids and nozzles. A latex mould was then created from the maquette and then clear resin was poured and left to set in the two halves of the mould.

The bottle was then filed and a spray nozzle was created for it, it was painted and then placed into customised packaging.

A logo and marketing posters were created for the product along with a promotional bag and scarf. A great piece of work, with so many different (and professional) elements.

Lillias & The Puffin

Lillias H chose a puffin as her animal theme for her Standard Grade Lighting Design unit. After initial investigation drawings, she experimented with materials to create a piece of lighting for Edinburgh Zoo. As you can see, Lillias’ development page includes cheap Ikea lights to show her experiments with opacity and colour and her final sheet displays her design in light and dark, showing off her use of fiber optics. This was a project I had tried with S4 Intermediate a few years ago. I was worried that it would not be possible for S3 Standard Grade, that the techniques and materials would be too complex and that the time frame would be too short to complete. Lillias shows that I was entirely wrong to doubt her. Beautiful work.

It’s Not Always A Success…

I have had a few successes, working with/for artists and musicians that most would consider famous or have achieved the right amount of respectable attention, though it’s not always been pure sailing. For the small amount of projects I could brag about and get your attention, there have also been a multitude of designs that haven’t gone exactly as planned. I thought I should feature some of these below, to show you that you should never give up. You will be ignored and rejected a lot (well… I am), but sometimes you’ll get it just right and art is all about the little wins.

Above is a never used cover for the indie band ‘Language of Flowers‘. I spent a long time creating the right feel. The root system lettering alone took around three days, though Shelf Life Records ended up going with this atrocity. A lot of the time, good designs will be pushed out just to feature a picture of the artist, it’s always a safe move for the record company, but it’s incredibly boring. Below you’ll see a completely rejected redesign of Vic Rattlehead for Megadeth. It was developed for a competition ran on Deviant Art, getting into the shortlisted stage I was able to get a comment from Dave Mustaine (singer, lead guitarist) stating that ‘it was incredibly cute but way off for the branding of the band’ [paraphrased, I can’t remember the exact comment, but that’s the jist of it].

The cover below was for Fiona Apple‘s 2005 comeback album. She had been incredibly big, especially with her single ‘Fast as you can’, then took some time out to re-invent herself. Her ‘Extraordinary Machine’ album was very quirky, slightly Tom Waits, very unusual. I thought this modern cover would have been a great addition to her lyrical intention. Focusing on computers, analog machines, humanity and her. I worked hard to get an image of Fiona onto the cover and then Epic Records went all left field and chose this?

I really liked the logo below for the band ‘armaeda‘. I decided that it would be interesting to make a typeface out of the exact same character. If you look closely, all the letters are the same character, rotated and faded. Unfortunately for me, the band quit before they had even begun and the logo was never used. The same thing happened to ‘Son of Shrimp‘ below. I am usually quite proud of the work I pass on, so it’s a shame to never see it getting used.

The NIN (Nine Inch Nails) cover below was for the album ‘With Teeth’. There had been a call out on 99designs and I thought I’d give it a go. I don’t really like this cover at all, though I feel it is very NIN. They ended up going with this idea, which is a lot better than mine…

I am a huge fan of Karl Pilkington and have followed him since the first podcast with Gervais and Merchant.  I had emailed them a few times and got some replies, so when I heard that he was getting a book together I thought I’d try my luck at sending them this idea (not finished, it’s just a low res. thumbnail) for the book cover. I never got a reply and they ended up going with some photo of Karl sitting down… so safe, so boring.

So there you go. Just some of the tries and fails that I have experienced in my long and torturous career. I’m slightly depressed now… What was my point again? Oh yeah… Don’t give up… Get frustrated and go demented over rejections and endless workloads… like me.